X-Men: The 10 Most Important Events in Dawn of X (So Far); Comic Book Resources, April 10, 2020

Brandon Zachary, Comic Book Resources; X-Men: The 10 Most Important Events in Dawn of X (So Far)

Take a look back at the most important things during the first phase of the current direction of the X-Men franchise, Dawn of X.

"9. Nightcrawler's Religious Ideas Become Pillars In X-Men

Discussing the ethics of the Crucible alongside Cyclops in X-Men #7, Nightcrawler reflects on the idea of the soul and what being a good mutant really means with resurrection available to them."

Stan Lee Unleashed the Heroic Power of the Outcast; Wired, December 13, 2018

Adam Rogers, Wired; Stan Lee Unleashed the Heroic Power of the Outcast

"From the fantasy-pulp midden, Lee had excavated a gem of a truth: These tales about men and women in garish tights hitting each other were also about more. Super­heroes had incredible abilities, yes, but they were also often the victims of prejudice themselves, or trapped in moral webs stronger than anything Spider-­Man ever thwipped. So the comics appealed to people who felt the same, even before Lee and the other Marvel creators published the first African American heroes, the first popular Asian American heroes, and strong, leading-character women in numbers large enough to populate a dozen summer crossovers...

His death encouraged people to tell stories of Lee’s kindness and enthusiasm. But for every story that circulated after Lee’s death about how wonderful and caring he was, comics professionals tell other tales in which Lee is … not.

Every bit as complicated as the characters he helped bring into the world, Lee taught generations of nerds the concepts of responsibility, morality, and love. He waged a sometimes ham-fisted battle against prejudice, misunderstanding, and evil. This is what makes some of nerd-dom’s recent tack toward intolerance so painful; other­ishness is engineered into comics’ radioactive, mutated DNA. Even if Lee wasn’t a super human, he was super­human, empowering colleagues to leap creative obstacles and to give readers a sense of their own secret strengths."

Marvel Comics editor-in-chief on company's diversity push, using a Japanese pen name; CBS News, June 2, 2018

CBS News; Marvel Comics editor-in-chief on company's diversity push, using a Japanese pen name

""We're 100 percent committed to diversity...Marvel is the world outside your window and we want not only our characters but our creative talent to reflect that world and it hasn't been an easy road to be honest with you. Going back to the 60s when Marvel were created it was created by a number of white men here in New York City who were working in our studio… But now, we do not have any artists that work in Marvel. All our writers and artists work -- are freelancers that live around the world so our talent base has diversified almost more quickly than our character base has."

One of the people in charge of making Marvel more inclusive is vice president of content and character development Sana Amanat. She created Kamala Khan -- Marvel's first Muslim superhero -- who helped sell more than half a million Ms. Marvel books to date."

It’s Time to Get Real About Racial Diversity in Comics; Wired.com, 7/25/15

Laura Hudson, Wired.com; It’s Time to Get Real About Racial Diversity in Comics:

"Like virtually every other form of entertainment, the world of comic books has been increasingly grappling with issues of diversity especially over the last several years as social media and Internet platforms have amplified the voices of minority creators and critics. And in many ways, there’s been a sea change. “Diversity of every sort—racial diversity, gender diversity, acknowledging minority sexualities—is experiencing an explosion of recognition and representation in comics,” says C. Spike Trotman, creator of the long-running webcomic Templar, Arizona.

But as the faces on the pages popular comic books have steadily grown more diverse, the hiring practices of publishers haven’t necessarily kept pace. While there are certainly more minority creators earning bylines than there were a decade ago, the editors and creators of mainstream comics remain overwhelmingly Caucasian—a demographic imbalance that has sparked increasingly loud discussions about what diversity really means and where it matters."