Showing posts with label change. Show all posts
Showing posts with label change. Show all posts

Tuesday, February 12, 2019

‘Sorrow Is the Price You Pay for Love’; The Atlantic, February 5, 2019

Video by Erlend Eirik Mo, The Atlantic;

‘Sorrow Is the Price You Pay for Love’


[Kip Currier: A remarkable short video. Poignant, uplifting, inspiring. A reminder of what matters most, and what's worth striving for and toward.

Watch and share with others.]

"“So much in her story was compelling for me,” Mo told The Atlantic. “It is unique, about a girl doing a male macho dance, and universal, about love and sorrow.”"

Wednesday, August 2, 2017

We will survive this; Washington Post, August 1, 2017

Garrison Keillor, Washington Post; We will survive this

[Kip Currier: Interesting insights from Garrison Keillor about taking a long-view of life, as well as voicing a carpe diem gratitude--embodied in the perfect imperfections of an heirloom tomato.

I first learned about "heirloom tomatoes" from a 2015 radio episode of The Splendid Table (Thanks, National Public Radio!), featuring tomato expert Craig LeHoullier. 

[Aside: Great quote by The Splendid Table host Lynne Rosetto Kasper, after LeHoullier notes that tomatoes are "very perishable": 

"But I think some of the best things in life have to be fragile. We appreciate them more."]

Soonafter, I tried my first heirlooms from the incredible year-round open-air 
Freshfarm DuPont Circle Market in Washington, D.C.: it was love at first bite.



A week ago I picked up these beauties in DuPont for a killer (Fair Use-transformed!) Caprese Salad:


"It’s a privilege to know people over the course of a lifetime and to reconnoiter and hear about the ordinary goodness of life. By 75, some of our class have gotten whacked hard. And the casualty rate does keep climbing. And yet life is good. These people are America as I know it. Family, work, a sense of humor, gratitude to God for our daily bread and loyalty to the tribe.

If the gentleman stands in the bow and fires his peashooter at the storm, if he appoints a gorilla as head of communications, if he tweets that henceforth no transcendentalist shall be allowed in the armed forces, nonetheless life goes on.

He fulfills an important role of celebs: giving millions of people the chance to feel superior to him. The gloomy face and the antique adolescent hair, the mannequin wife and the clueless children of privilege, the sheer pointlessness of flying around in a 747 to say inane things to crowds of people — it’s cheap entertainment for us, and in the end it simply doesn’t matter."

Saturday, March 25, 2017

A Wheelchair on Broadway Isn’t Exploitation. It’s Progress.; New York Times, March 24, 2017

Neil Genzlinger, New York Times; 

A Wheelchair on Broadway Isn’t Exploitation. It’s Progress.


"Sometimes, what seems a cheesy gimmick or instance of exploitation is really just the front edge of needed change. Some theatergoers were probably outraged the first time a black Juliet was cast against a white Romeo. Did that change how some of Shakespeare’s lines registered and imbue the play with new meanings? Sure. Is race-blind casting now widely accepted and the theatergoing experience richer for it? Yes."