Showing posts with label artists. Show all posts
Showing posts with label artists. Show all posts

Wednesday, August 27, 2025

Trump is targeting several Smithsonian artworks. Here they are.; The Washington Post, August 26, 2025

 

The Washington Post; Trump is targeting several Smithsonian artworks. Here they are.


[Kip Currier: Donald Trump and his administration's efforts to remove, revise, and erase artistic and historical content are the opposite of free speech and intellectual freedom. Art should challenge us to think and feel in new ways. We as individuals are certainly free to like a piece of art, hate it, or everything in between on the spectrum of how we feel about it. But the federal (or state) government should not be controlling access to art and suppressing or falsely presenting history in a free democracy. That's what authoritarians and dictators do in non-democratic nations like Russia, China, and North Korea.

If you don't like a particular painting, book, or movie, you can simply walk away from that painting, not read that book, or not watch that movie. But it isn't your right to stop everyone from seeing art, reading books, and watching films. To paraphrase the late Robert Croneberger, Director of the venerable Carnegie Library of Pittsburgh and a prolific proponent of intellectual freedom, a library isn't doing its job if it doesn't have at least one item that offends each person.

Similarly, museums, like libraries in healthy democracies, are not meant to reflect a compulsory unitary state viewpoint. We're not the Star Trek Borg Collective where everyone must think alike and individuality is verboten. The mantra of the Borg is that Resistance is Futile. Fortunately, we know that resistance is not futile: we can continue to resist efforts to sanitize art, literature, culture, and history. Exercise your right to consume what you want and disregard what you don't want. But don't tell everyone what they can and can't choose to view and read. That's undemocratic and un-American.]


[Excerpt]

"When the White House posted an article condemning a long list of Smithsonian content last week, it pointed to several specific artworks, a sampling that underlined the kind of material that could be targeted by a president who is increasingly interested in influencing what Americans see in public museums.

The list also criticized Smithsonian exhibition texts, learning materials, past performances and the institution for previously flying the intersex-inclusive Pride flag. This month, President Donald Trump said White House officials were conducting a review of the Smithsonian Institution — months after he signed an executive order seeking to root out “anti-American ideology” in the museum and research complex, an effort that experts say would amount to censorship.

The pieces are an eclectic bunch, united mainly by the Trump administration’s public criticism of them. Not all the artworks are currently on view at the museums. Taken together, they tell a story of a White House that is sensitive to imagery that appears to contradict its messaging, whether it shows a transgender woman cast as the Statue of Liberty or a boy peering over the Southern border...

Here is a look at the artworks named by the White House as evidence that Trump is “right” about the Smithsonian — and how several of the artists have responded."

Thursday, March 28, 2024

Meet Sarah Beth Morgan: An Animation Artist Drawn to Purpose; Library of Congress Blogs, March 28, 2024

 Ashley Tucker , Library of Congress Blogs; Meet Sarah Beth Morgan: An Animation Artist Drawn to Purpose

"Morgan works in the animation field of “motion graphics,” where she brings graphic shapes, typography, and characters to life. She defines her creative style as “playful, quirky, and maybe even a little bit unexpected.” Her most recent animation, Between Lines, is a short film about “the scarring experience of schoolgirl bullying—and the recovery that follows.” The film has received several accolades, including the Audience Award for Animation at the Brooklyn Film Festival as well as Official Selection at Pictoplasma Berlin and the SCAD Savannah Film Festival...

Animation is an example of a motion picture, which is a type of work that can be registered with the U.S. Copyright Office. Motion Pictures are works that contain a series of related images that are intended to be shown with a projector, digital display, or other device. When the images are shown in successive order, they create an impression of movement that is perceptible to the eye. The Copyright Office offers resources on registering a motion picture and provides ways to help grow a creative business in Copyright Registration at a Glance.

Women creators are an essential part of the copyright system, and participating in it allows women artists to benefit economically from their creative works. In 2022, the Copyright Office released a report, Women in the Copyright System: An Analysis of Women Authors in Copyright Registrations from 1978 to 2020. It found that women creators are significantly underrepresented in registrations, especially compared to their participation in copyright-intensive industries, despite an overall positive trend over time...

Sarah Beth Morgan is one of many women who enhance our nation’s creative landscape. The Copyright Office aims to broaden public awareness of what copyright encompasses and how to participate in it. A cornerstone of the Office’s current strategic plan is the advancement of Copyright for All, and the Office is committed to making the copyright system as clear and accessible to as many members of the public as possible, particularly individuals, small businesses, and historically underserved populations."

Thursday, March 7, 2019

A university gallery showed art with Confederate imagery. Then students called to remove it.; The Washington Post, February 26, 2019

Mark Lynn Ferguson, The Washington Post; A university gallery showed art with Confederate imagery. Then students called to remove it.

"Joy Garnett, program associate for the National Coalition Against Censorship, said the school had other options than taking the art down. It could have provided more context around the exhibit, such as temporary dividers to conceal the art and signs cautioning visitors on the difficult subject matter. After the exhibit closed, Baldwin did hold listening sessions, but only students and faculty were allowed to attend, according to school spokeswoman Liesel Crosier. The sessions, argued Jonathan Friedman, project director for campus free speech at PEN America, a nonprofit devoted to defending freedom of speech, “would have likely been much richer if the exhibit were able to continue.”

Garnett also found fault with the artists, who she said need to understand the communities where they are showing their work. More than half of Baldwin’s residential students are not white. “It’s not about avoiding offending people,” Garnett said. “It’s about how do you couch the offense in a way that’s productive.”