"There is always a tension in sexual identity between being accepted as normal and insisting on difference. There’s no manual for handling it in fiction. But if there were, Pegg’s approach would deserve a special mention. It is the nearest equivalent to the manner in which most heterosexual people will experience LGBT lifestyles: regardless of how strongly some might insist otherwise, they will already know people who are gay, bisexual or transgender. They may be friends with them, related to them, or work alongside them. They just might not know it yet. Where Takei has erred, it seems, is in misunderstanding a modern phenomenon – the movie reboot, which by its very nature starts again from scratch. He may well be interpreting the reinvention of Sulu as an act of hostility, as though the filmmakers are overwriting his old Sulu with their sparkling new one. But the two can exist side by side. One doesn’t cancel out the other – the TV episodes haven’t been removed from syndication, and you can still see the many Star Trek movies Takei was in. (Although, as Pegg pointed out in his late-1990s TV series Spaced, you might want to avoid the odd-numbered ones.) The newer Star Treks are like cover versions that introduce unexpected flavours. They no more tamper with Roddenberry’s vision than Talking Heads’ herky-jerky post-punk spin on Take Me to the River diminishes Al Green’s jubilant original. Takei, who came out in 2005 at the age of 68, is a marvellous ambassador for equality. However, a person who has found openness and acceptance in his own life but who imposes restrictions on the means by which others do so in theirs can easily risk looking ungracious. It would be better for all concerned if he didn’t cling on – or Klingon – to the past."
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Sunday, July 10, 2016
Don’t Klingon to the past, George Takei. A gay Sulu is right for Star Trek 2016; Guardian, 7/10/16
Ryan Gilbey, Guardian; Don’t Klingon to the past, George Takei. A gay Sulu is right for Star Trek 2016:
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