"Rachel Martin: Your book profiles a handful of women composers dating back to the 17th century. What was it about the sexism of the time that made it so hard for them to be recognized for the music they were composing and creating? Anna Beer: Well, sexism, like everything, changes over time. So I think we've got two broad kinds of sexism working: one in the earlier period, and one which brings us right up to today. In the earlier period, there were beliefs about the appropriate spheres and appropriate behavior for women. But if you were an exceptionally talented composer, and you did produce astonishing, wonderful music, people would make a kind of exception for you. They'd say, "Your music is equal to men." The only thing you had to be very careful of, as a woman, was to behave. You'd have to watch out for being described as courtesan, and you had to marry who you were told to marry, and be innocent and chaste and all the rest of it. But under certain circumstances, in the right place and the right time — particularly if there's a really powerful female monarch in place who wants somebody to justify their rule and their power, [and] might want a kind of poster girl for female talent — you could succeed."
This blog provides links to Diversity, Equity, and Inclusion-related issues and topics.
Tuesday, May 24, 2016
'Sounds And Sweet Airs' Remembers The Forgotten Women Of Classical Music; NPR, 5/22/16
NPR Staff, NPR; 'Sounds And Sweet Airs' Remembers The Forgotten Women Of Classical Music:
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.